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LIVE! – Death From Above 1979

May 6, 2011 by  

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LIVE! – Death From Above 1979

ARTIST: Death From Above 1979
SUPPORT: Young Legionnaire
VENUE, TOWN: The Forum, Kentish Town, London
DATE: 4th May 2011

FIVE WORD REVIEW: Spectacular Return Of 2001 Heroes

MAIN REVIEW: So here it is, folks. After almost a decade of lying dormant the legendary Death From Above 1979 have resurrected themselves like super cool bearded zombies from their self-imposed grave. Rare is the band who can produce one solitary album many moons ago yet still command such respect and anticipation. It’s been a long wait, and with no new material to speak of, a triumph that the Forum is packed out for two consecutive nights.

Following a limited run of E.P ‘Head‘s Up‘, debut album ‘You’re A Woman, I’m A Machine’ is a strange beast. With only ten tracks and a modest running time, it did all it needed to. Deceptively simple, just two instruments creating an almighty racket of the funkiest basslines and most vicious beats around. They left their mark on the alternative scene then vanished without a trace, citing musical differences before popping up again in various side projects. The announcement of a reformation, playing just ten dates around the world sparked a ticket buying frenzy among those hungry for a bit of dance-punk nostalgia, and wow, judging by the crowd, nostalgic it was indeed.

Tighter than tight jeans and artfully scruffy beards crammed into the oddly lavish Forum, contending with overly aggressive Agent Smith-like security guards and confusing ticket allocation. Those of us relegated to the seated balcony looked down with anguish and envy at those standing, while the burly security kept their sharp eyes peeled for any escapees daring to make a break for it and dash into the crowd. Like a bad prison break movie, the guards were joyless and stern. ‘Surely,’ one would think, in these ever-changing times, ‘Bin Laden has been caught! He’s not hiding out at a North London venue evading titanium-jawed sniffer dogs and American rage here, chill out you guys..’ Their thinly veiled contempt for the crowd was certainly jarring. Having your every move scruitinized casts the mind back to school days of smoking behind bike sheds and avoiding P.E, adding another (less welcome) layer of nostalgia to proceedings. But I digress…

Support Young Legionnaire were instantly forgettable, the odd tune sticking out at the time, but overall an uninteresting prospect – a shock considering the (semi) all-star lineup of Automatic and Block Party members. Them’s the breaks I guess, it’s a pretty tall order to impress a crowd so intently focused on enjoying the headliners. The sound was controlled and clear, but Paul Mullen’s rockstar posturing was irritating at best, his voice as shrill and yelp-y as in his Automatic days.

As the time of DFA1979’s arrival became immanent, the once spacious Forum began to look extremely cramped, people surging up against the barriers and as the two strode onto the stage the place erupted with a roar of noise. Dressed all in white much like a Clockwork Orange droog, Sebastien Grainger beat his drums senseless through opener ‘Turn It Out,’ while the more diminutive Jesse Keeler stood head down, beard on, focus entirely on his bass. For just two guys they make a riotously huge sound, continuously thudding as little circle pits formed then dispersed in the crowd. Desipte the sound occasionally wandering into fuzzy incoherence they powered through a speedy set of pretty much every track ever released, with the sad exception of ‘Sexy Results.’ Each song was greeted like a long lost, smelly but well-loved friend, even lesser known EP tracks receiving rapturous admiration. Time hasn’t dampened DFA1979’s spirits in the slightest, their energy and sense of fun as great as back in the day at the Mean Fiddler et al.

Crowd interaction was pretty minimal, though Grainger found time to joke about the royal wedding (‘I hear some guy got married?’) and the lack of material they had to choose from. But no matter, they could have run through ‘Black History Month’ several times before anyone got bored of hearing it. Closing the main set on ‘Romantic Rights’ and ‘Do It!‘ was a wise move, culminating the energy of the night with crowd surfers thrown with reckless abandon over the barriers and into the enraged arms of waiting security while the band extended the songs with extra synth and a bizarre little dance. Lovely.

All in all, DFA1979 played like their lives depended on it – a chugging, thudding set that refused to let up, making the cavernous Forum seem like a flimsy shack as tribal beats and massive walls of distorted bass echoed around the building’s structure. Well worth the wait, hopefully it won’t be so long next time…





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